Night Vision

Suzanne Vega

 By day give thanks, by night beware
 Half the world in sweetness, the other in fear

 When the darkness takes you, with her hand across your face
 Don't give in too quickly, find the things she's erased

   Find the line, find the shape through the grain
   Find the outline and things will tell you their name

 The table, the guitar, the empty glass
 All will blend together when the daylight has passed

   Find the line, find the shape through the grain
   Find the outline and things will tell you their name

 Now I watch you falling into sleep
 Watch your fist uncurl against the sheet
 Watch your lips fall open and your eyes dim
 In blind faith

 I would shelter you
 And keep you in light
 But I can only teach you
 Night vision
 Night vision
 Night vision

Commentary

I like everyday poems. Of course, I also like love poems, and war poems, metaphysicals and the Movement, irreverent flights of whimsy and dense conglomerations of weighty syllables. But there’s a special place in my affections for poems that celebrate the simple, the ordinary, the casual - and which do so in such a manner as to offer a new way of seeing them.

Today’s poem is one such. Who hasn’t reflected on the way things look after the lights have been turned out? The strange shapes furniture and fabric take, the patterns of moonlight and shadow rippling across walls and floor, the reflected images in mirrors, the silhouettes of lamps and bookshelves and chairs and vases… at night, reality itself seems to ‘suffer a sea-change / into something rich and strange’1.

And Vega captures this. “Night vision” is a song2 that combines the magic of darkness with the tenderness and poetry of love, and it’s wonderfully, wonderfully done.

— Thomas

  1. Shakespeare, “The Tempest”. See poem #16 ↩

  2. It’s on her utterly brilliant (and surprisingly little known) second album, “Solitude Standing”, released in 1987. ↩


The Wondering Minstrels, poem #885 · 10 September 2001

Poem selected by Abraham Thomas

Fair use

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From the Wondering Minstrels mailing list, 1999–2008.

Langmaid Nick · 6 November 2002

I found these lyrics very interesting, so I dug a little deeper.

The words are a loose translation of a work called “Juan Gris” by French poet Paul Eluard.

Juan Gris was a Spanish cubist painter who lived and worked in Paris in the early part of the twentieth century.

“Find the line, find the shape through the grain Find the outline and things will tell you their name”

It’s a nice commentary on the cubist style. These lines aren’t in Eluard’s poem (unless my French is much worse than I think it is!) so Suzanne has added them, closing the loop. Very tidy.

Nick.

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G & J Waters · 5 February 2003

I was listening to this song tonight, and I love it as a poem. For me, it’s also about our fear of the dark, and what parents (and anyone who loves someone, I suppose) want for their child (or beloved) - to keep them in light. But in this world this is not possible, so we try to teach “night vision” – how to make it through the “dark night of the soul,” when fear grips us and we feel as if we can’t continue, how the recognition of the familiar grounds us.
jwaters