MCMXIV
Those long uneven lines
Standing as patiently
As if they were stretched outside
The Oval or Villa Park,
The crowns of hats, the sun
On moustached archaic faces
Grinning as if it were all
An August Bank Holiday lark;
And the shut shops, the bleached
Established names on the sunblinds,
The farthings and sovereigns,
And dark-clothed children at play
Called after kings and queens,
The tin advertisements
For cocoa and twist, and the pubs
Wide open all day;
And the countryside not caring
The place-names all hazed over
With flowering grasses, and fields
Shadowing Domesday lines
Under wheats' restless silence;
The differently-dressed servants
With tiny rooms in huge houses,
The dust behind limousines;
Never such innocence,
Never before or since,
As changed itself to past
Without a word--the men
Leaving the gardens tidy,
The thousands of marriages
Lasting a little while longer:
Never such innocence again.
Commentary
Philip Larkin is not usually counted among the so-called War Poets, and his poem is naturally more detached, though none the less harsh and caustic for that. I think comparing the lines of entraining soldiers (and presaging the lines of trenches stretched across the countryside) with the ticket queues at the Kensington or at an Aston Villa match on August Bank Holiday is absolutely devastating in its irony. Also note the biting satire of “The thousands of marriages/Lasting a little while longer” - never such innocence again, indeed - the Great War destroyed all that was sweet and innocent in civilization.
— Anustup