The Camp
Tents, marquees, and baggage-waggons;
Suttling-houses, beer in flagons;
Drums and trumpets, singing, firing;
Girls seducing, beaux admiring;
Country lasses gay and smiling,
City lads their hearts beguiling;
Dusty roads, and horses frisky,
Many an Eton Boy in whisky;
Tax'd carts full of farmers' daughters;
Brutes condemn'd, and man who slaughters!
Public-houses, booths, and castles,
Belles of fashion, serving vassals;
Lordly gen'rals fiercely staring,
Weary soldiers, sighing, swearing!
Petit-maitres always dressing,
In the glass themselves caressing;
Perfum'd, painted, patch'd, and blooming
Ladies -- manly airs assuming!
Dowagers of fifty, simp'ring,
Misses for their lovers whimp'ring;
Husbands drilled to household tameness;
Dames heart sick of wedded sameness.
Princes setting girls a-madding,
Wives for ever fond of gadding;
Princesses with lovely faces,
Beauteous children of the Graces!
Britain's pride and virtue's treasure,
Fair and gracious beyond measure!
Aid-de-camps and youthful pages,
Prudes and vestals of all ages!
Old coquets and matrons surly,
Sounds of distant hurly-burly!
Mingled voices, uncouth singing,
Carts full laden, forage bringing;
Sociables and horses weary,
Houses warm, and dresses airy;
Loads of fatten'd poultry; pleasure
Serv'd (to nobles) without measure;
Doxies, who the waggons follow;
Beer, for thirsty hinds to swallow;
Washerwomen, fruit-girls cheerful,
Ancient ladies -- chaste and fearful!!
Tradesmen, leaving shops, and seeming
More of war than profit dreaming;
Martial sounds and braying asses,
Noise, that ev'ry noise surpasses!
All confusion, din, and riot,
Nothing clean -- and nothing quiet.
Commentary
A lovely poem, its cascading couplets perfectly evoking the kaleidoscopic chaos of an army camp. It doesn’t need a whole lot said about it, so I won’t.
Note: from The New Oxford Book of Romantic Period Verse.
Biographical Note
Mary Robinson, writer of poems and semi-autobiographical novels. She also was an actress, and “slipped into the demi-monde” when Prince George fell in love with her when he was 17 and she was 21 (I think). She agreed to become his lover in exchange for a bond which he was supposed to pay on his 21st birthday, but never did (the rat!)–the affair broke up well before he turned 21.
If you’re interested, Lonsdale’s anthology of 18C Women Poets contains a brief biographical sketch and some more poems.
– Louise Slater