the trash can
this is great, I just wrote two
poems I didn't like.
there is a trash can on this
computer.
I just moved the poems
over
and dropped them into
the trash can.
they're gone forever, no
paper, no sound, no
fury, no placenta
and then
just a clean screen
awaits you.
it's always better
to reject yourself before
the editors do.
especially on a rainy
night like this with
bad music on the radio.
and now--
I know what you're
thinking:
maybe he should have
trashed this
misbegotten one
also.
ha, ha, ha,
ha.
Commentary
Winding up the computer poetry theme, here’s a poem suggested by Salima Virani
(From Betting on the Muse - Poems and Stories
Black Sparrow Press, 1996.)
I know we’ve just had a poem by Bukowski, but I was specifically on the lookout for something on the role of computers in the creative process, and when Salima sent me today’s wonderful little piece, I knew I had to run it. The light, perfectly balanced verse captures very well, the fluidity, almost I could say the liberation, that the computer affords the wordsmith - nothing is permanent unless you want it to be1, erasing a word, a line, an entire poem is no harder than a click of a button.
Words on paper have a definite inertia to them - the crossed out lines track their way indelibly across the sheet, a visible and increasingly messy record of a work’s revision history. Contrast the aesthetic freedom of
no
paper, no sound, no
fury, no placenta
and then
just a clean screen
awaits you.
And the poem itself definitely reflects that freedom, the lines pouring forth with careless abandon until they reach a hilariously antipoetic conclusion that made me laugh out loud. A fitting ending to the theme, I think. Ha, ha, ha. Ha.
— Martin
-
or sometimes, tragically, even if you do - see Poem #1420 :) ↩