A Man Doesn't Have Time In His Life

Yehuda Amichai

 A man doesn't have time in his life
 to have time for everything.
 He doesn't have seasons enough to have
 a season for every purpose. Ecclesiastes
 Was wrong about that.

 A man needs to love and to hate at the same moment,
 to laugh and cry with the same eyes,
 with the same hands to throw stones and to gather them,
 to make love in war and war in love.
 And to hate and forgive and remember and forget,
 to arrange and confuse, to eat and to digest
 what history
 takes years and years to do.

 A man doesn't have time.
 When he loses he seeks, when he finds
 he forgets, when he forgets he loves, when he loves
 he begins to forget.

 And his soul is seasoned, his soul
 is very professional.
 Only his body remains forever
 an amateur. It tries and it misses,
 gets muddled, doesn't learn a thing,
 drunk and blind in its pleasures
 and its pains.

 He will die as figs die in autumn,
 Shriveled and full of himself and sweet,
 the leaves growing dry on the ground,
 the bare branches pointing to the place
 where there's time for everything.

Commentary

Note: From “The Selected Poetry of Yehuda Amichai”, translations by Chana Bloch and Stephen Mitchell.

I was sent this poem by a friend of mine, who adores Amichai. Frankly speaking, I had not heard of this late Israeli poet, before this poem. But this one encounter was enough to put me in awe of his art. What I found out was that Amichai is the most translated poet in Hebrew after King David! Like all translations something IS lost from one language to the other. Amichai’s poetry in fact either renders very well or not well at all into English depending on the point of view taken. His poetry is simple, direct, colloquial (my friend tells me that he is read by soldiers, shopkeepers…), while also drawing on history and playing with words and sounds. The wit and word-play are of course lost in English. In this poem for example, the second-last stanza seems a bit ackward, with unwieldy words like ‘professional’ and ‘amateur’ breaking the flow, but the overall message of the simplicity of the body and the sophistication of the soul is one that is powerful beyond words.

Anyway I admit to not knowing a lot more about Amichai, but would love it if someone told us more about him and his poetry. This write- up has been more about the poet, because I think the poem itself is amazing enough to speak for itself! Finally there’s nothing more to be said, apart from the final imagery…

“He will die as figs die in autumn,
Shriveled and full of himself and sweet,
…
the bare branches pointing to the place
where there’s time for everything.”

Amichai died in 2000…you can light a candle in his memorium and read more at http://www.ithl.org.il/amichai/

— Abhishek

We’ve run one other poem by Amichai: Poem #1108

Biography: http://www.ithl.org.il/amichai/on.html


The Wondering Minstrels, poem #1398 · 26 November 2003

Guest poem submitted by Abhishek Singh

Fair use

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From the Wondering Minstrels mailing list, 1999–2008.

Flavia Iacobaeus · 26 November 2003

“The grave’s a fine and private place,
But none, I think, do there embrace.”

Nice poem.

Flavia

A Giridhar RAO · 26 November 2003

Abhishek Singh says:

Amichai describes the act of translation beautifully, thus:

quietly we transfer words from man to man,
from one tongue to other lips,
and not knowingly, like a father
who transfers the features of his dead father’s face to his son,
and himself doesn’t look like either.

Vinay Dharwadker and A. K. Ramanujan preface their excellent collection, The Oxford Anthology of Modern Indian Poetry (Oxford 1994), with these evocative words of Amichai (but do not say where they have taken them from).

A Giridhar RAO