The Hand That Signed The Paper

Dylan Thomas

 The hand that signed the paper felled a city;
 Five sovereign fingers taxed the breath,
 Doubled the globe of dead and halved a country;
 These five kings did a king to death.

 The mighty hand leads to a sloping shoulder,
 The finger joints are cramped with chalk;
 A goose's quill has put an end to murder
 That put an end to talk.

 The hand that signed the treaty bred a fever,
 And famine grew, and locusts came;
 Great is the hand that holds dominion over
 Man by a scribbled name.

 The five kings count the dead but do not soften
 The crusted wound nor pat the brow;
 A hand rules pity as a hand rules heaven;
 Hands have no tears to flow.

Commentary

Carrying on with the theme:

From “Twenty Five Poems”, 1936.

I’ve always liked the density of Dylan Thomas’ work. His early and

middle-period poems are wonderfully impenetrable masses of high-flown rhetoric: pretentious, perhaps, in their almost wilful obfuscation, but also possessed of an undeniable power1. His later poems are air and fire to his original earth and water; while equally dense in their use of allusion and illusion, they trip lightly off the tongue, beguiling the senses while stirring the heart2.

Unfortunately, today’s poem falls in neither category, and I have to

confess that it’s not one of my favourites. There are occasions when simplicity is power, but there are also times when it betokens, well, a lack of depth. There’s nothing technically wrong with “The Hand That Signed The Paper”; the basic conceit is well thought of and well executed (if not terribly original); the verse is straightforward and competent. But it remains just that - verse: great poetry it isn’t.

Or is that just me?

— Thomas

Poem #405 on the Minstrels website.

Minstrels Links

Dylan Thomas:
Poem #14, Prologue
Poem #38, Do Not Go Gentle Into That Good Night
Poem #58, The Force that Through the Green Fuse Drives the Flower
Poem #138, Fern Hill
Poem #225, Poem In October
Poem #270, Under Milk Wood
Poem #335, After the Funeral (In memory of Ann Jones)
Poem #405, Altarwise by Owl-Light (Stanzas I - IV)
Poem #476, In my craft or sullen art
Poem #568, Especially when the October Wind

  1. The “Altarwise by Owl-light” sonnet sequence is a stunning example: I love the poems, but I haven’t the faintest idea what they mean. See ↩

  2. “Fern Hill”, “Poem in October” and “After the Funeral” come to mind. ↩


The Wondering Minstrels, poem #1035 · 12 April 2002

Poem selected by Abraham Thomas

Fair use

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From the Wondering Minstrels mailing list, 1999–2008.

rodrigo · 18 February 2004

i think that he is an assh…go to hell menn

BraJo8 · 29 September 2004

I think the poem is about the abuse of power over others. Clearly the five kings in power abused it to get what they wanted. However, it does not say whether or not they believed they were doing the right thing, whether they were intentionally trying to harm someone, or whether they simply were only trying to please themselves.

jtichenor · 30 October 2004

This is a mighty poem, more relevant today than ever, when half of America cannot see and cannot mourn the simple action of its President to launch a needless war and kill a hundred thousand people for a whim. One must let Thomas’ poem sink in without too much thought. Hands cannot cry.